Get 15 fine art LUTs free when you buy DxO PhotoLab 7.6 - DxO (2024)

“This LUT expands the number of green tones in the scene, so it’s great for cool, mossy, grassy, or foliage-filled landscape compositions.”

“This LUT gives a clean monochrome look, adding separation and removing any muddiness that might be confusing your composition.”

“I use this in landscapes that were taken in autumn, or to give a more autumnal look to scenes that were on the cusp. It pushes warm tones into red, mutes greens, and retains the cool atmosphere of the season.”

“This really crushes the shadows but also gives them a faded look, creating a low-key effect with a smoothness that lets highlights stand out.”

“For this LUT, I was inspired by the tonality of old castle stone. It gives a somewhat faded look with a hint of the fantastic and mysterious.”

“This pushes yellows and oranges into amber — great for dull forest scenes where it separates bark from foliage.”

“This black & white effect gives light images a more radiant look, creating separation between highlights and shadows.”

“I use this a lot in my work because it makes the greens muted but still rich. It works brilliantly in overcast situations and rainy days, which is when I make a lot of my photos.

“This is one to use either in dim lighting, like twilight or around sunset — any time when light sources are low.”

“This gives a very cool-toned look — useful for wintery shots that might not look as cold on screen as they felt at the time of shooting.”

“This is a subtle LUT that scales down the yellows — great when you want a photo to look cleaner. I use it on industrial, product, and portrait subjects.”

“This monochrome LUT produces a vintage feel, like an old newspaper. All you need to do is add some grain to complete the look!”

“I made this specifically for weddings and photographing couples. It lowers contrast — especially useful in bright sun — and makes portraits more attractive.”

“The darkest of dark LUTs! It creates a lot of drama and though the finish is clean, the blacks are very deep and works great when there’s strong contrast.”

“Producing a pronounced, shiny effect in a photo’s highlights, I made this black and white LUT to replicate the harsh look of old street photography.”